In the language world, there is not only one way to see or read each text but many ways. You may have an idea and I could have another idea on the same topic and both of us can be right. Usually, people with different background and culture tend to observe things differently. In Literary Study, Politics, and Shakespeare: A Debate, it demonstrates the argument between George F. Will, a political commentator, and Stephen Greenblatt, a university professor of how literary should or should not be view.
George Will argues in his article, Literacy Politics, that when people tend to use political view to read a text, they could strips away the author’s purpose of the text. For example, he states that “the supplanting of esthetic by political responses to literature makes literature primarily interesting as a mere index of who had power and whom the powerful victimized” (110). From political perspective, the people are only interest on who have the power and who the power is using against. The reader is not focusing on the author’s teachings or purpose. They are reading in too much of the text that they are losing sight of the theme of the text. Will wants people to see that politic have mostly nothing in literature. In addition, Will wrote that “’by deconstructing,’ or politically decoding, or otherwise attacking the meaning of literary works, critics strip literature of its authority” (112).
Stephen Greenblatt’s The Best Way Kill Our Literary Inheritance Is to Turn It into a Decorous Celebration of the New World Order debates that texts should be read and analyze as much as possible. For instance, he wrote that “it is, [he] believes, all but impossible to understand these play without grappling with the dark energies upon which Shakespeare’s art so powerfully draws”(115). Greenblatt believes that without doing researches and understanding Shakespeare himself, one cannot understand the true meanings of his writings. Therefore, by analyzing and researching the text, one gain the understanding and in the making of the thought-process. He encourages readers to view the text from any perspective, which allow the readers to comprehend what they are reading. Without ideas and opinion, literature would fade away.
From both perspectives, I cannot help but agree with both Will and Greenblatt. I do agree with Will when he wrote that “’by deconstructing,’ or politically decoding, or otherwise attacking the meaning of literary works, critics strip literature of its authority” (112). Sometime if the people, with a political bias, can view the text in a totally new and different meaning then the author intended. The purpose of literature is taken away and is left with nothing. However, it is inevitable that the readers do view the text a different way because of their culture and background. Greenblatt states that “the risk that we might turn our artistic inheritance into a simple, reassuring, soporific lie” (115). Without different ideas and opinions of different literature can lead to a boring and simple lie. They are what are keeping literature alive by passing on our knowledge to the next generation and so on. People will always come up with different conclusions.